At the same time, practical arguments insist the
underrepresentation of women is central and can be overcome, because of
benefits to political parties growing their numbers of women and often claim
that women are guaranteed to vote for parties that elect female candidates. To enumerate, “males have a higher level of political
discussion in comparison to females, but they do not talk about politics as
much than the percentage of women in office rises.  Although women and adolescent girls, discuss politics
more frequent in states with more women involved in elective office” (Wolbrecht Christina, 2007). Therefore,
underrepresentation matters because if there are more “women in parliament
younger women would ultimately become more politically active” (Wolbrecht Christina, 2007). Not to mention, practical
arguments concentrate “on difference
arguments – the concept that women ‘practice’ politics in a different way” (United Nations, n.d.). Moreover, “practical
arguments make a quality of difference by stating that through women’s engagement
politics will eventually develop into a more
positive and less adversarial. This is, of course, a debatable claim, but it
possesses some foundation. Gender differentiation is linked to different styles of communication and
decision making” (Lovenduski, 2005). Even though
practical arguments are still necessary politically, it could hypothetically
guide us to impractical and conflicting expectations of female politicians. Although practical arguments bring to light the
correlation that states with male competitive, women are less engaged
politically whereas women in states with
more female applicants are more politically involved.
Thus, if gender gaps remain in political participation the policymaking process
continues to be gendered and underrepresents women by neglecting the vital
interests and perspectives of women in society.  

Bhangra
music is the most long established and the liveliest form of rhythm related
with Punjabi culture. This Punjabi dance music is carried out during their
harvest festivals and other family commemorations such as weddings. It is a
favored music style integrating traditional Bhangra drumming with contemporary
Western instruments and patterns.

 During the commencement of the 1980s, this
particular song was contrived in England by the immigrants from the Punjab
region of India and Pakistan. The presence of orchestra that were Punjabi
impacted led to a drastic increment in the growth of Bhangra industry in
England, although it didn’t obtain that popularity in North America during
those days. In England, now it has become a custom to organize and have come
and play Bhangra bands and get usually paid courteously.

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The
notability of freestyle Bhangra highlights in its present-day rap that is
dynamic and upbeat, which has managed to preserve its parts and elements that
make it individually special. One of the most important instruments used is
‘Dhol’ and some other kinds of stringed instruments, where each one gives off
different high pitched voice presenting leisure to the public. Furthermore, the
songs of Bhangra has a theme associated with life situations such as relationships,
drinking, dancing. Whether more customary or advanced in style, Bhangra
persists to transport the delight, excitement, and gatherings of people united
in song or dance. Moreover, the remixed versions attract the youth to have a
hand in these showing thus involving themselves in teamwork and cooperation
retaining the classical civilization.

For
all new variations of Punjabi music and Bhangra form of music, Canada has
evolved as a new hub earning honor among the masses. In my opinion, listening
to Bhangra music can comfort and be a choice of entertainment for Canadians
from their busy scheduled life.