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        Comparing and contrasting Kant’s
philosophy of art and that of the sociologist Pierre Bourdieu. In all, Emanuel
Kant’s theory of beauty natural had 4 aspects: its freedom from concepts, its
objectivity, are held at a distance since they are enjoyed for itself not as a
means to an end. By “concept,” Kant meant “end,” or
“cause,” this is, what the cognitive powers of human knowledge and
imagination judge apply to an item, which includes with “its
sublime,” to take an example. But while no specific concept is worried,
the sublime is a pleasure that comes with an experience of pain in face of
something terribly overwhelming which threatens to destroy us. There is also
objectivity and universality in the judgment then, in keeping with Kant, since
the cognitive powers are common to all who can judge that the individual items
are endless. Those powers characteristic alike whether or not they come to this
kind of specific judgment or are left suspended in freedom, as when
appreciating the sample claiming the mountain. This becomes not the basis on
which the apprehension of pure beauty turned into compulsory, however. In step
with Kant, which derived from the selflessness of such a fear, what was known
as inside the eighteenth century its “disinterest?” This arises due
to the fact pure beauty does now not gratify us sensuously; nor does it result
in any choice to own the object. It “pleases,” really, however in an
extraordinary highbrow way. Natural splendor, in other words, really holds our
thoughts’ attention: we don’t have any further situation than contemplating the
item itself. Perceiving the


object in such
instances is an end in itself; it isn’t always a means to a further quit, and
is loved for its very own sake on my own. Sublime lacks order and expresses
lack of harmony within the individual or between individual and nature or
society; to enjoy the beauty of something requires we enjoy beauty for itself
independent of any selfish or practical interests. In comparisons to
Sociologist Pierre Bourdieu, his view for example. Clearly, on this context
“disinterested” does no longer mean “fed up,” and
ironically it’s far closest to what we now call our “hobbies,” that
is, things like hobbies, journey, and game. However in advance centuries, the
social critiques of taste is a function of class one’s “interest”
became what was to one’s gain, that is, it becomes “self-interest,”
and so it became the negation of that which closely related aesthetics to
ethics. Popular culture is enjoyed by working class whereas high art is enjoyed
by rich people, for you could describe works of artwork, regularly sufficient,
in terms which relate generally to the emotional and mental lifestyles of human
beings. One can call them “joyful,” “depression,”
“serene,” “witty,” “vulgar,” and “humble,”
as an instance. These are certainly no longer in simple terms aesthetic terms,
because of their similarly uses, however they may be nevertheless very relevant
to many aesthetic. In today’s world, rich people seem to enjoy popular arts
more and often poor people (artists and academics) enjoy high arts. Sociologist
Pierre Bourdieu view of freedom is largely conditioned by class, race, and
gender. If freedom is just a function of class privilege, then there is no
freedom; gender identity is based on a series of oppositions: male,
traditionally strong, in control and rough and women, traditionally weak,
delicate and emotional. In conclusion, both philosopher aesthetic concepts are
expressing a difference in their aesthetic value. For Kant, the idea of taste was
supposed to be free from prejudice, and his philosophy stated that beauty
splendor and flavor is based totally on self-renunciation and gratification of

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your natural
instinct. To have flavor is to comprehend a pleasure that isn’t
self-interested. Bourdieu philosophy of taste is a function of class and
society; for the privilege and the wealthy. Culture enjoyed by the working
class, which is not often for the poor people and he goes on to say that is not
freedom. Both philosopher theories believe and values aesthetics are different.
Kant believes in self-worth and morals and Bourdieu believed and aesthetic is
for the rich to enjoy its pleasures.