p.p1 also his signature. He achieved initialp.p1 also his signature. He achieved initial

p.p1 {margin: 0.0px 0.0px 6.0px 0.0px; text-align: center; font: 18.0px ‘Times New Roman’; color: #323333; -webkit-text-stroke: #323333}
p.p2 {margin: 0.0px 0.0px 6.0px 0.0px; text-indent: 36.0px; font: 12.0px ‘Times New Roman’; color: #232323; -webkit-text-stroke: #232323}
p.p3 {margin: 0.0px 0.0px 6.0px 0.0px; text-indent: 36.0px; font: 12.0px ‘Times New Roman’; color: #232323; -webkit-text-stroke: #232323; min-height: 15.0px}
p.p4 {margin: 0.0px 0.0px 6.0px 0.0px; font: 12.0px ‘Times New Roman’; color: #232323; -webkit-text-stroke: #232323}
p.p5 {margin: 0.0px 0.0px 6.0px 0.0px; font: 12.0px ‘Times New Roman’; color: #232323; -webkit-text-stroke: #232323; min-height: 15.0px}
span.s1 {font-kerning: none}
span.s2 {font-kerning: none; color: #000000; -webkit-text-stroke: 0px #000000}
span.s3 {font-kerning: none; color: #000000}
span.s4 {font: 8.0px ‘Times New Roman’; font-kerning: none}
span.Apple-tab-span {white-space:pre}

Yousef Karsh
Yousef Karsh was born on December 23, 1908 in Mardin, Diyarbekir Vilayet, Ottoman Empire. He grew up during the Armenian Genocide, during which some of his family were murdered. Karsh and his family escaped to a refugee camp in Aleppo, Syria in 1922 in a month-long journey with a Kurdish caravan. Karsh was then sent to Canada by his family, and he arrived in Halifax, Nova Scotia on December 31, 1923. He immediately moved to Sherbrooke, Quebec to live with his maternal uncle George Nakashian, a portrait photographer. While Karsh worked for his uncle, he was also taught about photography. He gave Karsh his first camera, a Box Brownie camera. From 1928 to 1931, Karsh apprenticed in Boston, Massachusetts for John H. Garo, the most prominent Armenian photographer in America at the time who had made a name for himself photographing Boston celebrities. 
Karsh settled in Ottawa and opened his first studio in 1932. He remained there until 1972, when he moved to Château Laurier, and he was known professionally as “Karsh of Ottawa”, which was also his signature. He achieved initial success by capturing the attention of Canadian Prime Minister Mackenzie King, who helped Karsh arrange photographing visiting dignitaries. Throughout his life, Karsh photographed “anyone who was anyone.” His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, throughout of which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine. Karsh’s photos were known for their use of dramatic lighting, which became the hallmark of his portrait style. He had studied it with both Garo in Boston and at the Ottawa Little Theatre, of which he was a member. 
Karsh’s first marriage was to Solange Gathier in 1939, whom he met at the Ottawa Little Theatre in 1933, where she was a star. She died in January 1961 of cancer. His second marriage was to Estrellita Maria Nachbar, a medical writer 21 years his junior, in August 1962. He had no children with either wife. 
Karsh retired in June 1992, at the age of 83. He closed his studio at Château Laurier and moved to Boston in 1997. He died on June 13, 2002 at Brigham and Women’s Hospital in Boston after complications following surgery. Karsh has been recognized as Canada’s leading portrait photographer. In general, he is recognized as one of the best-known and great portrait photographers of the 20th century. 
I like that this photo shows true emotion in Winston Churchill, and I think it is a good photo because the lighting adds an intense feeling to the photo.
I like this picture because it makes me happy just looking at Nelson Mandela smiling like this. I think it is a good photo because of the excellent use of contrast.
I like this photo because it shows Albert Einstein in his usual pensive state of mind, and I think Karsh uses the contrast to his advantage to emphasize certain details.
I like this portrait of Queen Elizabeth because I typically think of her as an older woman, but this captured her early beauty. I think Karsh’s use of foreground light and a darker background adds an elegant glow to the photo.
I think this photo is cool because of the smoke coming off of the cigarette is interesting. This is a good photo because the dim lighting and high contrast adds suspense and a serious attitude toward the portrait.

We Will Write a Custom Essay Specifically
For You For Only $13.90/page!

order now